I don’t know why, but I have a yen to talk about heroes, so here I am.
My first ever hero was Doc Emmett Brown from the Back to the Future films. I was a strange teenager – everyone else went to the cinema with me to watch Michael J. Fox whilst I only went for the Doc. I adored him (I still do actually) and one of things he says in the film stuck with me: “If you put your mind to it, you can accomplish anything.”
Characters can be powerful people. (I said ‘things’ first but my cast of characters protested so loudly I had to correct it!) Who would’ve thought that a very useful part of my personality would have been moulded and inspired by a supporting character in an 80’s Hollywood film trilogy.
(The first man I ever had a crush on was Indiana Jones, but he wasn’t my hero, per se. I didn’t want to be like him exactly, I just wanted to cuddle him – it was all very innocent.)
So I could talk about what a hero is, but I’m not going to. It can mean whatever you want it to mean. I have several heroes, each one meaning something different to me. So let’s not go there. Instead, I’d like to tell you about one of my heroes right now, if you’re happy to listen.
This is my most recently acquired hero actually, I only found him at the end of last year.
If there is such a thing as synchronicity, this was a good example of it.
So, I had spent an evening ‘researching’ self-publishing options. It was desperately frustrating, as I have moaned about here and I felt lost and confused by the differing opinions. I have no idea what possessed me to do it, but I went to YouTube (which I do very rarely) and searched for self-publishing.
That’s where I first met my hero. He’s called Darryl Sloan, and he posted up a video containing his thoughts on self-publishing. I watched. I liked him and what he said about it. I loved his accent too! So I went looking for his site. I found out about his self-published book, Chion. I read an excerpt. I bought it.
I bought my first self-published book.
People considering self-publishing are often asked by the doubters “So when was the last time you bought a self-published book?” If the question is met by a silence, it’s transmuted into a spear: “So what makes you think you could sell your self-published book if not even you have bought one?”
Now I have my shield for that one! I can happily reply “December, 2008. And I thoroughly enjoyed it. I read it in an afternoon and completely escaped. The story carried me along, I liked the characters and felt satisfied at the end. That’s more than I can say for some books sold to me as ‘bestsellers’.” Nuh-nuh.
So this is why Mr Sloan is the latest addition to my stable of heroes:
He went and did what I want to do.
He did it very well.
He is very positive about the experience, and frank about the reasons behind his decisions.
But most of all: he didn’t let me down when I bought his book. It is just as high quality in production values as any bought from a traditional publisher, and I enjoyed it.
When I bought it, I felt like I was taking a higher risk than normal. I worried about whether it would be “good” – the ghosts of those negative industry bloggers were close at hand. Now I realise that it was the same kind of risk I take when buying any book. No book is perfect for me, I’m a fussy bugger. There is always something that annoys me, or dissatisfies me, sometimes it’s massive and destroys any chance of me loving the book. Sometimes it’s small enough for me to shrug and carry on. Yes, I shrugged a couple of times during Chion, but hell, two other books I started last year (and still haven’t finished) are very commercially successful but I may never go back to them. They didn’t grab me like Chion did. They didn’t carry me elsewhere. They haven’t changed the way I’ll look at snow for a long time to come. But this self-publisher did all that for me.
So that is why he is one of my heroes.
P.S. He has put the video blog on his site, you can see it here.




{ 8 comments… read them below or add one }
Emma, I don’t know if you’ve been following the row on Authonomy about their POD experiment but they came out today and tried to calm their writers’ ruffled feathers. Interestingly for you, their apology included the sentence, “And as a publisher we certainly don’t have a problem with authors who have self-published: we’ve acquired a number of authors who took this route initially.”
So there it is, straight from the mouth of Harper-Collins; self-publishing does not becessarily exclude you from a later, mainstream career. However, I suspect they have only picked up contracts on successful self-publishers.
Graham Storrs’s last blog post..The Earth Ship – published today
This *is* interesting – I was intrigued by Authonomy when it was launched and have watched from afar.
There are a few cases of self-published authors being picked up, some very high profile that I might post about another time, but you’re right, it’s only once they have proved their ‘viability’. I wonder if that is going to happen more and more – with publishing houses being unable to take risks with new authors. This self-publishing explosion could be used by them as a way to see not only which books might have legs, but also (and in my opinion perhaps the more important to them these days) which authors are willing to work that damn hard to get read.
There are many historical examples of authors who self-published before going on to become literary legends too. I prefer the term independently published myself, as in independent music and independent film (literature always seems to be decades behind the other arts). It captures the spirit of the endeavour, I think. Thankyou for your lovely comment on my bloggedy blog and I can assure you my experience with independent publishing has been positive in everyway.
Paul’s last blog post..The Architecture Of Water
Hi Paul, welcome! Yes, there are examples, it’s true, one of which is the wonderful Julia Cameron who independently (I prefer that too!) published The Artist’s Way when no-one believed in it. Now it has sold over a million copies.
I’m not going into this with that as my goal. But it is still nice to hear about those stories – if only as evidence that publishers get it wrong.
Why should really good writers depend only on the opinions of a few to determine whether or not the larger public would enjoy their work? Just think of how many excellent writers never get read because of this system. How you get published is not important, it’s whether or not the public want to read your work. Great post Emma.
Paisley’s last blog post..Doodling My Way To Creativity
Thanks
) I really do think it’s the end of publishers as gatekeepers era. I’m giving the traditional approach one last shot and then I’ll be following in this hero’s footsteps, so I clearly agree with you!
I love this idea that self-publishing authors’ work is just as valid as that of artists who sell outside the gallery system, and yet (smacks forehead) I’ve never thought of it that way before. I’m definitely someone who had absorbed the cultural bias against self-publishing (and I’m also someone who never even tried to get any of my own poems published outside of school magazines because I didn’t want to play that whole game), and I am so grateful to you for opening my eyes to the complete uselessness of that bias and how it runs contrary to so many other things I believe.
I was just explaining to someone how I don’t care for museums because why is this one set of people’s art supposedly so much better than everyone else’s? I like to see art out in the world, in real life, in a cafe or a home or a library or whatever public or private space, not walled off and separate in some cold institution. Maybe I’m just going to the wrong museums, but it never occurred to me to think about writing the same way I think about other kinds of art. Sincere and enthusiastic thanks for stretching my mind in a new direction today.
And I also adore that guy’s accent, and his book does sound really good. I might just have to snag a copy
Looking forward to reading more of your writing, too
Hi Darcy, and welcome! It really rocks my world to think I actually made you see something in a new light. Yay! And thank you for taking the time to let me know, I really appreciate that.
It is an accent to die for, isn’t it? Do grab a copy, I thoroughly enjoyed it, and summer is the perfect time to read it – as you’ll find out